Tuesday, August 23, 2011

AMY WINEHOUSE AND 10 OTHER 27 CLUB MEMBERS

 Amy Winehouse's death at age 27, while dolorous, was not a surprise to everyone. Winehouse had publicly struggled with substance abuse for years and appeared extremely intoxicated at recent performances.
 Her 2006 album Back to Black netted five Grammy Awards including Best Pop Vocal Album. The tragically named track Rehab won Song of the Year, Record of the Year and Best Female Pop Vocal Performance. In addition Winehouse picked up the award for Best New Artist and Back to Black's producer Mark Ronson received the Producer of the Year honor. Reports say Winehouse was working on a follow up album, which will no doubt become a chart topper upon release.
 The singer's father claims his daughter was the happiest she had been in years in the weeks leading up to her death. Some experts say happiness before a planned suicide is common.
 Toxicology reports indicate there were no illegal drugs in Winehouse's system at the time of her death, but alcohol was present. It is unknown if alcohol played a factor in her death.
 “I think Amy Winehouse may have secretly wanted to be part of the 27 Club,” Pax Prentiss, co-founder of the Malibu rehabilitation center Passages, said in an interview with The Wrap. “Amy was on a dark path and she may have glamorized the idea of being part of that group.”
 All but three of the artists I have chosen for this list (there are many more 27 club members) died from circumstances relating to drugs and alcohol.  
 “I do know from experience that artists have a tendency to be sensitive,” Prentiss said. “they’re talented yes, but  the outside world effects them differently and they’re prone to turn to drugs in order to cope with the pressures put upon them."
  
Rehab
Amy Winehouse



Kurt Cobain
 After many years of drug abuse, illness and depression Nirvana leader Kurt Cobain took his own life in April 1994. It was reported Cobain had high levels of heroin in his system, as well as traces of Valium. His long, poorly punctuated suicide note was addressed to his imaginary boyhood friend "Boddah" and revealed Cobain had lost his passion for making music.
 "...when we're back stage and the lights go out and the manic roar of the crowds begins, it doesn't affect me the way in which it did for Freddie Mercury, who seemed to love, relish in the the love and adoration from the crowd which is something I totally admire and envy. The fact is, I can't fool you, any one of you. It simply isn't fair to you or me," Cobain wrote.

Breed
Nirvana



Jimi Hendrix
 Hendrix was easily one of the most talented guitar players to ever grasp a pick. His death in 1970 from asphyxiation after ingesting sleeping pills and wine has been labeled a conspiracy by some. Animals roadie James White published a book in 2009 claiming Hendrix's manager Mike Jeffery admitted to murdering the musician because the performer wanted to change management. There were also conflicting reports by Hendrix's girlfriend, Monika Dannemann, as to what actually occurred on the night of September 18 1970. Dannemann committed suicide in 1996 after being found guilty of contempt of court for repeating libel against another of Hendrix's girlfriends.

Crosstown Traffic
Jimi Hendrix



Jim Morrison
 As lead singer of the Doors, Morrison was known for improvising potent prose and his biting personality. After years of success with the Doors, Morrison moved to Paris in 1971 and spent his last days wandering the city's impressive streets. His body was found in the bathtub of his Paris apartment on July 3 1971. Morrison had snorted his girlfriend Pamela Courson's heroin, thinking it was cocaine. Courson would overdose on heroin three years later. She was also 27 at the time of her death.  
Morrison's grave site in Paris' Père Lachaise Cemetery is one of the city's most popular tourist attractions.

Touch Me
The Doors



Janis Joplin
 Joplin's powerful, divisive voice hid the pain of a woman who always felt like an outcast. Her childhood in the christian conformist town of Port Arthur, Texas was rough. Joplin didn't act as most thought a lady of that time should. Burdened with an on again, off again relationship with heroin, Joplin would eventually find success with Big Brother and the Holding Company. On the night of October 3 1970, feeling rejected by friends who had stood her up the previous night, Joplin overdosed on heroin at Los Angeles' Landmark Motor Hotel.

Piece of My Heart
Big Brother and the Holding Company




Kristen Pfaff
 Pfaff is best known for her work as Hole's bassist on Live Through This. Born in Buffalo New York, she studied piano and cello before teaching herself how to play bass. After graduating from high school, Pfaff moved to Minneapolis and was a founding member of Janitor Joe. While on tour with Janitor Joe, Pfaff was scouted by Courtney Love and Eric Erlandson for Hole as a replacement for Jill Emery. Pfaff was reluctant to join Love's band and returned to Minneapolis. It was her father who convinced her to join, citing that Hole was already signed to a major label and had a rabid British following. 
 "That's when we took off," her former boyfriend Erlandson said of Pfaff joining Hole. "That's when we became a real band."
While recording Live Through This in Seattle in 1993, Pfaff began dabbling in heroin. Something Erlandson had warned her about.
 "She moved to Seattle and felt disconnected from everything, and she made friends, drug connections, which I told her not to do," Erlandson told Spin. "The only way you can survive in this town is if you don't make those connections." 
After a stint in rehab, she decided to leave Hole and rejoin Janitor Joe permanently.
 The day Pfaff was scheduled to return to Minneapolis a friend, some sources say it was Erlandson himself,  found her lifeless body. Next to Pfaff was a bag containing syringes and heroin-related paraphernalia. 
The bassist has since been inducted into the Buffalo Music Hall of Fame and the University of Minnesota's KUOM awards a $1000 memorial scholarship in her honour.

 
Boys in Blue
Janitor Joe


Boyfriend
Janitor Joe



Richey Edwards
 Although he began as a Manic Street Preachers roadie, Edwards soon moved up the ranks to become the band's rhythm guitarist and main spokesperson. What he lacked in musical ability he made up for with his brilliant lyrics. By the band's third album, the Holy Bible, Edwards' struggles with drugs and alcohol had become well known, which only added to the band's counterculture notoriety. Shortly after that album's release, Edwards checked himself into a psychiatric hospital.
On February 1 1995, Edwards and James Dean Bradfield were due in the US for a promotional tour; however Edwards had disappeared. He was officially presumed dead in 2008. Edwards was 27 at the time of his disappearance. Many claim to have spotted Edwards over the years and point to a quote directly from Richey. 
 "In terms of the 'S' word, that does not enter my mind and it never has, in terms of an attempt. Because I am stronger than that. I might be a weak person, but I can take pain," Edwards said in 1994.

Yes
Manic Street Preachers




Ron "Pigpen" McKernan
 A founding member of the Grateful Dead, McKernan was the typical rebellious teenager. Named after the similarly dirty Peanuts character, this biker boy from California would grow up to play various instruments for the Dead, including harmonica and the organ. McKernan would have a romantic relationship with another 27 Club member, Janis Joplin. While those around him did hard drugs, McKernan stuck to Thunderbird Wine and Southern Comfort, which was also Joplin's favourite beverage. His love of alcohol would eventually do him in as he began showing signs of cirrhosis in 1970. Then on March 8 1973, he was found dead of a gastrointestinal hemorrhage. His grave marker reads that he is now and forever will be one of the grateful dead.

Box of Rain
Grateful Dead



Leslie Harvey
 While perhaps one of the least known musicians on this list, Les Harvey was no stranger to big time tragedy. Hailing form Scotland, Harvey was asked to join the Animals in the 1960s but chose to stay with his brother Alex Harvey's Soul Band. In 1965, while a member of the Blues Council, Harvey would be involved in a fatal tour bus crash which killed two Blues Council members. 
 Harvey rebounded from the misfortune and founded Stone the Crows with his brother and Maggie Bell in 1969. At a 1972 performance with Stone the Crows, Harvey was electrocuted by a microphone that wasn't grounded correctly.


Good Time Girl
Stone the Crows



Jeremy Michael Ward
 In addition to being Mars Volta's sound technician and vocal operator, Ward also worked with dub outfit De Facto. As a behind the scenes genius, he was critically lauded for creating the unique soundscapes heard on Mars Volta's debut De-Loused in the Crematorium. He was also an accomplished guitarist and artist and his work influenced many of Mars Volta's later albums. 
 Ward was found dead of a heroin overdose in 2003 and his death inspired the remaining members of Mars Volta to quit using opiates.


Eriatarka
Mars Volta




Mia Zapata
 While all of the deaths included on this list are tragic, Zapata stands out as the only entry who was murdered.
 Born in Kentucky, Zapata picked up guitar and piano at an early age and was heavily influenced by blues and jazz. In the mid '80s, Zapata moved to Ohio to attend college and it was there that she formed the Gits. The band moved to Seattle just as the '90s broke and released the well received Frenching the Bully in 1992. The band's stage presence, specifically Zapata's off-the-wall antics, led to the Gits becoming one of the hottest grunge acts in town.
 Just before their second album, Enter the Conquering Chicken, dropped, Zapata was raped and murdered while walking home through the Capitol Hill area of Seattle. Her body was discovered in the early morning hours of July 7 1993. Sources say Zapata was last seen listening to her walkman and perhaps didn't hear her attacker approaching.
Zapata's murder inspired the founding of Home Alive, a group that, in addition to organizing concerts, taught women self defense.  
 Joan Jett and Bikini Kill's Kathleen Hannah would co-write the song Go Home in response to the crime committed against their punk compatriot. The video (below) features Jett as a woman triumphing over her would-be attacker.
 DNA evidence would eventually link Florida fisherman Jesus Mezquia to Zapata's murder. After his first conviction was overturned, Mezquia was sentenced to 36 years in prison in 2009.

Second Skin
The Gits


Go Home
Joan Jett

Wednesday, July 20, 2011

15 SUMMER SONGS

 It's been close to a month since I've posted. What was the reason for my break from blogging? Well, since there are a multitude of factors, I'll just say it was summer. There are thousands of songs about the sweetest season. Here are fifteen of my favourites.

Summertime
Janis Joplin

Listen to the full song.



Summer Special
Land of Talk





My Drive Thru
NERD, Santigold & Julian Casablancas

Listen to the full song.



Electric Music & the Summer People
Beck



Boys of Summer 
The Ataris

Listen to Don Henely's original version.



Celebrated Summer
Hüsker Dü



Summer Babe
Pavement



Idiot Summer 
Gin Blossoms



Summer in Siam
The Pogues



It's Summertime 
Flaming Lips



Summer
War



Sunny Afternoon
The Kinks



Summerday Sands
Jethro Tull



Wipeout
Fat Boys & the Beach Boys



Summer's Almost Gone
The Doors

Wednesday, June 22, 2011

NEW FACE TO FACE ALBUM + FREE MP3

 Face to Face have reunited following their 2004 break up to the delight of rock fans everywhere.
Their latest album Laugh Now, Laugh Later was released in May and finds Face to Face pumping out pop-punk riffs as if they never split up. Formed twenty years ago in Victorville, California, Face to Face has undergone many line up changes through out the band's history. Laugh Now, Laugh Later reunites Terver Keith with Chad Yaro, who parted with the band before 2002's How to Ruin Everything. Keith and Yaro are joined by Scott Shiflett on bass and percussionist Danny Thompson.
Download the track It's Not All About You today (June 22-23 only) free from Amazon.com.

What You Came For


Should Anything Go Wrong

Tuesday, June 21, 2011

INTERVIEW WITH CLAUDE SPEED OF AMERICAN MEN

Tulta Behm photo
 I first heard the synth rock band that is American Men on an indie compilation earlier this year. Their track Good Po-lice immediately caught my attention. Throbbing yet upbeat, American Men's music manages to sound retro and progressive all at once. Below is my interview with Claude Speed (no, not that guy) who generously took the time to speak with me about where their cryptic name came from and what's next for the Scottish four piece. Visit American Men's tumblr or LuckyMe's homepage for more American Men music and info.
  

Bradley: What was the inspiration behind the name American Men?

Claude Speed: There's no one answer to this, so here are some possibilities:

(1) American Men supposedly got their name by randomly selecting two pairs of numbers and looking up the corresponding page/word in a copy of Thomas Pynchon’s Gravity’s Rainbow.

(2) American Men supposedly got their name by finding a phrase which would be statistically the least likely to produce a relevant result on Google.

(3) American Men supposedly got their name after weekend in Barcelona, when the members woke up unable to remember anything that had happened the night before. The only evidence of their activities was a smashed Ouija board and a grainy VHS depicting underwater pyramids and a pitched down voice chanting “American Men” over and over again.
 

B: How would you describe your music to our readers?
 
CS: Chasing the future, a hundred years too late. A sad computer imagining what Chavez sound like just from reading the wikipedia entry; failing. Reconstructing the contents of your hard drive from memory.
 
B: How would you describe the electronica scene in Scotland? And in Europe?

CS: There's been a lot of good electronic music in Scotland for as long as I can remember. I was fairly obsessed with Boards of Canada in the '90s and Benbecula records were doing pretty good records in the last 5 years or so. The obvious reference points in Scotland for us are LuckyMe and Numbers. They are both doing pretty awesome things.

I'm not that familiar with the electronica scene as a whole in Europe, but a lot of the music I've been into in the last few years has come from England, there's too much to mention, the Netherlands, like Beat Dimensions, Rush Hour, Kindred Spirits and Nod Navigators and Spain, such as Mweslee, BFlecha and Arkestra collective. There's also a great radio show from Athens, Greece that my girlfriend and I listen to every weekend called Black Athena. And Machinedrum just moved to Berlin!


B: Would you say it differs from the North American scene?

CS: I'm probably more attuned to the similarities between US/Canadian artists (particularly LA, New York and Montreal) and the Scottish ones than I am the differences. I think that when myspace was a big thing the concept of a geographical "scene" lost importance. People would link up online and location became way less relevant. I think the camaraderie was built up in a virtual space rather than a real one. A lot of the artists I listen to I hear about are from friends who linked up with those people online.

B:
What is the American Men writing process?

CS: It used to be that I'd write what were essentially guitar songs, and then transpose them to synths. The idea was that those synths would sound somewhere between a distorted guitar and a Boards of Canada type sound.

Now the process is that one of us comes up with an idea for a song, sketches it out on the computer and then sends it to everyone else to comment on and work on. We all have fairly busy schedules and don't all live in the same city so that's generally the start/middle of the process for now. We do try to meet up to finish songs in person either in the studio or in my flat. We have two drummers now, hi ya Robbie, which should make the process more interesting too.


B
: What is coming up next for American Men?
 
CS: We're in the midst of writing an album to come out on LuckyMe next year. We have pretty much no idea how it's going to sound; although we've written the bones of twelve or thirteen songs that's mostly restricted to the melodies, chords and basic rhythms. So a lot of the fleshing out is still to be done. Particularly picking the right sounds. Once we're happy with 20 minutes or so of new music we'll play some low key shows I think. 
 

B: Is there anything I neglected to mention that you want our readers to know?

CS: 1. The new Dutch Uncles and Gang Gang Dance records are tremendous.
2. I'm doing a solo album as Claude Speed which I'm enjoying a lot and I'm hoping will be awesome.
3. Don't Ever Antagonise the Horn.

Cool World

Thursday, June 16, 2011

TRUE BLOOD SEASON 4 SNEAK PEEK

 The first eight minutes of True Blood's new season have been leaked (watch below) or released as promotion, whichever you choose to believe. The teaser shows that Sookie Stackhouse's fairy relatives are not as benevolent as they first appeared; in true ridiculous TB fashion. True Blood's life force may be vampires but there are many other supernatural beings lurking in the bayous of Louisiana. HBO's blood thirsty series has presented a serial killer, a maenad and werewolves as main antagonists so far. The sneak peek hints that fairies (or are these elves in the clip masquerading as fairies?) will bring the pain this time around, yet it has been reported season four will prominently feature witches in addition to delving deeper into the fairy realm. The inclusion of Wicca wretches this year stays true to Charlaine Harris' fourth book in the Southern Vampire Mysteries series (which has been re-branded the True Blood series, naturally), Dead to the World. Aside from Sookie's perilous journey to another plane, there are still many questions lingering from last season's finale. Where did Tara go and will she come back to Bon Temps? How will Jason handle Crystal's deserted derelict family? Who emerges victorious in the Bill versus Sophie Anne confrontation? Viewers will learn the answers when the new season premieres June 26.

Friday, June 3, 2011

BON IVER'S NEW ALBUM + MORE GEOCENTRIC SONGS

 This post began as a continuation of my post on geocentric songs. As I listened to and looked over Bon Iver's new eponymous album I noticed that many of Justin Vernon's latest songs reference cities and locations. So this post is really "10 more great geocentric songs; plus three from Bon Iver."
 Hailing from Eau Claire, Wisconsin, Vernon has quickly risen out of indie obscurity to become the trendy titan to watch in a few short years. His frostily effective 2007 self-released debut, For Emma, Forever Ago, demonstrated his sweetness with tracks like Skinny Love and Flume. For Emma would secure a wider release on Jagjaguwar in 2008. The Blood Bank EP followed in 2009. The EP's title track is slow paced and haunting and remains one of his best. Blood Bank also found Vernon experimenting with auto-tune, which was met with varying critical reactions. With the exception of Flume, I tend to prefer Vernon's baritone vocals over his soprano style singing- and could do without the auto-tune altogether. Whether high, low or auto-tuned, Bon Iver's music is frequently catchy and manages to captivate. His new self-titled album is no exception.

Calgary



Perth (Intro)



Wisconsin



10 MORE GREAT GEOCENTRIC SONGS

Sea of Japan
Earl Greyhound





New York City
Cub



California Run
Neil Nathan



Zurich is Stained  
Pavement



Of Montreal
The Stills
 



Baltimore Blues No. 1
Deer Tick(Also see Huston, TX




Hong Kong Garden 
Siouxsie & the Banshees 
(Also see Israel



Paris Blue
Lykke Li



Talking Lynndie England
Oh No Ono



Rendondo Beach
Patti Smith

Thursday, May 26, 2011

MADRID

This interview with Duncan Christie originally appeared on Soundproofmagazine.com.

Christie (left) and Perry. Photo courtesy of Madrid.
 
 Duncan Christie has a message for fans of his electro-pop band Madrid. Although it has been eight years since Madrid's debut, Warm Waters, they did release an EP in 2007 titled First Message. First Message was a precursor to their recently released full length Original Message.

 Christie says the time between albums is due to the fact that Madrid, which also features Adam Perry and Eric Lightfoot, chose to make the music found on their new record in a completely different way than the sounds they had previously created.

 "We are definitely traveling uncharted waters in a sense that there's no formula for our music," Christie said. "So the recording process takes a lot more time. We're inventing genres and styles as we go. We're not following any kind of traditional way to make music. I think that Original Message has a wider range of influences. Warm Waters, I think was a great album because it was very singular; whereas with Original Message, we kind of opened our song writing process to all kinds of other influences."

 The change in Madrid's sound influenced the band to switch labels after Warm Waters. The group started out on Aporia Records but now calls YYZ home.

 "Being on Aporia for our first record was perfect," Christie explains. "We were pretty new to the game and they had a roster that was ethereal kinds of music and we fit in to that. Yet we knew that when we started working on new sounds that we had to be in the hands of someone more entrenched in the electronic scene."

 In addition to making music Christie is also a prolific player in the Canadian film industry. Christie attended Humber's film program and says he is fortunate he went to Humber during the time period that he did.
"In the film course I was able to make movies on 16mm film; which was great freedom. A lot of people going to film school now don't use the same sort of old technology and learn the basics that way. I feel fortunate that I was in one of the last years that were able to truly call it a film school," Christie said.

 Christie worked extensively on the cult show Kenny vs. Spenny and directed the cult film Confessions of A Porn Addict.

 "I was working with some really close friends on that project" Christie said of Confessions of a Porn Addict. "Part of our shoot was in Toronto; here we had time and structure. The second half we shot in Los Angeles and the atmosphere was crazy while we were there. It was ultra-guerrilla film making. We had no real structure; we had no real support in place. It was five guys running around the San Fernando Valley chasing after these weird porn people and making a comedy at the same time so it was a ton of fun."

With all of his success in the music and film industries, Christie likens the rhythm that comes with playing music to the rhythm ones needs to edit film.

 "I think there are a lot of the same sensibilities. Especially with editing, it's rhythm. It's very musical the way I approach it. I think the two definitely go hand in hand. I've been fortunate that I've never had to choose between the two careers. They just both co-exist side by side. I approach it creatively from the same place."

Out To Sea


Easy