Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Thursday, August 26, 2010

BODY HORROR ON FILM

For me the most anticipated film of the upcoming Oscar season is Darren Aronofsky's latest, Black Swan. The trailer (below) reveals that Aronofsky is tangling together aspects of psychological thrillers and body horror in his follow up to The Wrestler. It's not clear if prima ballerina Nina (Natalie Portman) is actually undergoing transmogrification or if it's simply all in her head. We will have to wait until December 1st for the answer to that query. As I fervently await opening night, I got to thinking about other films which have grossed out audiences by showcasing some truly disturbing alterations to the human form. Franz Kafka kick-started the genre in the literary world with his 1915 novella The Metamorphosis. In the near-century since then many directors and screen writers have put their own spin on body horror; creating an entirely new sub-genre of cinema.


The Black Swan? Could this be what Nina will turn into?

The body horror aspect is evident in this screen cap from the trailer.


Nina pulls a feather out of her back, apparently she is growing wings.
It is unknown if a copious amount of Red Bull is the cause.



The Brood (1979)
The trailer (below) only gives the viewer a peek at the monstrosities many of the characters in The Brood are afflicted with. The true horror in The Brood concerns the wife of the main character and the reveal is one of the most surprising curve balls in the history of celluloid. The plot involves a forward-thinking psychotherapist whose new technique called "psychoplasmics" has seriously negative physical side effects. This Canadian picture was written and directed by David Cronenberg, who was disturbingly inspired to pen the screenplay after undergoing a horrid divorce from Margaret Hindson. Cronenberg would use the body horror theme once more in 1986's The Fly. On a personal note, I recall watching this on television with a friend as a child and we were both terrified by the kitchen scene. I happened upon a copy a while ago and after watching it again, it's still disturbing but not as terrifying as it was to ten-year-old me. A remake is scheduled for 2013 and as many recent horror remakes have faltered, some bloggers and message board trolls are strongly opposed. However, I think The Brood could use an update which will hopefully build and expand on this creepy Canadian classic.





District 9 (2009)
Best Picture nominee District 9 not only features body horror but also speaks of the horror human beings inflict on each other through social segregation. Writer/Director Neill Blomkamp lived through the South African apartheid era and was in turn inspired to bring this tale of intolerance to the silver screen. The film's protagonist at first detests the alien prawns but soon becomes an alien in his own body and is forced to assimilate with the foreign arthropods. Now I'm certain had there been only five Best Picture nominees (the Academy reinstated the 10 nominee rule not seen since 1943) District 9 wouldn't have garnered a nod. However the reality this film addresses is all too horrifically real; case in point, most of the slums used in the film were genuine locations.





Splinter (2008)
Friday the 13th made audiences scared of the woods, Jaws made them afraid to go into the water and Splinter made everyone run in terror from... porcupines. (?)  This indie-horror gem finds a young couple (half of that couple is played by Wipeout hostess Jill Wagner) abducted by criminals while on their way to a camping weekend. Unfortunately for all involved the foursome run over a spiky mutant rodent whose quills can't be removed with tweezers. Holed up in an abandoned gas station, loyalties are tested and horror fans are delighted. Winner of six Screamfest Horror Film Festival Awards, including Best Picture, Splinter may be a bit overrated but remains a sharp entry in the body horror books.





The Thing (1982)
John Carpenter's classic remake of the 1951 film is crucial to the body horror genre. The Thing features feelings of isolation, the trepidation of trust and a freeze-dried monster that would love to look just like you. As cheap and dated as the special effects are they still manage to provide scares and squirms. Watch for a prequel directed by Matthijs van Heijningen Jr. and starring Mary Elizabeth Winstead coming in 2011. The all-male cast in Carpenter's interpretation is something that made the film unique, so we'll have to see how Heijningen works female characters into the mix.





The Faculty (1998)
Typical of the late '90s, The Faculty features many popular stars of the time thrown into some horrific situations.  Freshly-scrubbed students realize their teachers have undergone an abhorrent alien adjustment and fight to put a stop to the takeover before it's too late. What else would you expect from Kevin Williamson (Scream scribe) and Robert Rodriguez (director of From Dusk 'Til Dawn and Machete)? It's basically "Invasion of the Beverly Hills Body Snatchers 90210" and as a teenager I absolutely loved this alien invasion extravaganza. Look for a pre-Daily Show Jon Stewart sporting a goatee and parting with some of his phalanges. (In a coincidence of blognormous proportions the substandard trailer (below) features the Last Hard Men's cover of School's Out that I mentioned in my last post on super groups.)





Cabin Fever (2003)
There's body horror and then there is plain disgusting. Years later I am still haunted by the opening sequence featuring that deceased canine. The scene where a character shaves her infected legs is upchuck inducing yet also illustrious as it speaks to her vanity insanity. Hostel creator/director Eli Roth's directorial debut is original as there are not many films that feature flesh eating bacteria. In addition, after viewing Cabin Fever you can say that that pile now pooled by your feet was originally food.

Friday, August 20, 2010

SUPER GROUPS (AS HIGH SCHOOL CLIQUES)

Numerous bands formed while the musicians were navigating through the perilous process that is high school. I wouldn't be the first writer to draw parallels between the present world of entertainment and the laborious languidness most face in the halls. As a defense many align themselves with like minded individuals and form cliques. While none of the super groups in this article formed that way, it's not difficult to imagine what kinds of cliques these groups would be classified as by listening to their music and analyzing their respective histories.


The Last Hard Men (the outcasts)
Kelley Deal (the Breeders, Kelley Deal 6000), Jimmy Chamberlin (Smashing Pumpkins, Zwan, Jimmy Chamberlin Complex), Jimmy Flemion (the Frogs) & Sebastian Bach (Skid Row)

I snagged the Last Hard Men's only album in a second-hand store a few years back for $6. There's a reason why it was $6. Uneven and eccentric, it's still worth a listen for kitsch value alone- especially the weird School's Out cover that appeared on the Scream soundtrack. Recorded in 1996 and 1997, Atlantic Records refused to release the album. Kelley Deal's label, Nice Records, issued a limited release of 1000 copies in 1998. Finally in 2001 Spitfire Records released the album with additional material included.





Monsters of Folk (the overachievers)
Conor Oberst, Mike Mogis (Bright Eyes), M. Ward (She & Him) & Jim James (My Morning Jacket)

Refusing to be confined by the genre found in the band's title, MoF straddle the line between classic and soft rock. Formed while each member's hugely successful bands (by independent standards) were on hiatus; they have been known to switch instrumental duties during live shows in true overachieving fashion. (Every time I look at the album cover of their self-titled 2009 release I think 'why is Brian Posehn a Monster of Folk?')






Them Crooked Vultures (the punks)
Josh Homme (Kyuss, Queens of the Stone Age, Eagles of Death Metal), Dave Grohl (Nirvana, Foo Fighters) & John Paul Jones (Led Zeppelin)

Because Josh Homme is too restless to stick with one musical outfit, Them Crooked Vultures brings together three of the most prolific figures in modern rock. The album is a great pallet cleanser to all the mainstream pop of late and Mind Eraser (No Chaser) is without a doubt one of the best rock songs of the year. You can listen to the album in its entirety and watch some very inane tour videos on their official site.





Broken Social Scene (the arty kids)
Many members including Brendan Canning (By Divine Right, Len), Kevin Drew (KC Accidental), Lisa Lobsinger (Reverie Sound Review) & John McEntire (Tortoise), former and occasional members include Elizabeth Powell (Land of Talk), Emily Haines (Metric) & Leslie Fiest (Fiest)

The collective voices in BSS reject the super group label due to the size of the band and the proclamation that everyone in the indie scene is involved with numerous projects at any given time. Mixing together elements of orchestral grandeur and indie rock, BSS broke through with their 2002 album You Forgot It In People. That album rightfully won the Juno for Best Alternative Album and includes choice cuts like Cause = Time and Anthem For a Seventeen Year Old Girl. Their latest, Forgiveness Rock Record, reached #1 in Canada, #34 in the US and has been shortlisted for the 2010 Polaris Prize.





The Highwaymen (the hicks)
Waylon Jennings, Johnny Cash, Willie Nelson & Kris Kristofferson

When these four (then) living legends of country recorded and released the single Highwayman in 1985 they didn't have a name for the assemblage. After the song, a Jimmy Webb cover, rocketed to #1 the name of the group was a natural choice. Highwayman 2 would follow in 1990 and the last recording before Waylon Jennings' death was 1995's The Road Goes On Forever.





The Traveling Wilburys (the über-popular)
Tom Petty, Bob Dylan, Jeff Lynne (the Electric Light Orchestra), George Harrison & Roy Orbison

The name of this seminal super group came from the recording session for George Harrison's Cloud Nine. Whenever an error in recording would arise, Harrison would jokingly say to producer Jeff Lynne "we'll bury [Wilbury] 'em in the mix." The group came together when Roy Orbison, Harrison and Lynne traveled to Bob Dylan's house to record a B-side for Harrison's This Is Love. Harrison had left his guitar at Tom Petty's house and he returned from retrieving his axe with Petty in tow. Much like the Donnas and the Ramones, the band members adopted pseudonyms saying they were all half-bothers, sons of the fictional Charles Truscott Wilbury Sr. The original line up would be fractured by Orbison's death in 1988. As an homage to Orbison, when his vocals come up in the video for End of the Line a rocking chair cradling his guitar is shown. The album Traveling Wilburys Vol. 1 won the Grammy for Best Rock Performance by a Group or Duo in 1989. Handle With Care lived on to be covered by many artists, including Jenny Lewis with Ben Gibbard, M. Ward and Conor Oberst.





The Dead Weather (the goth kids)
Jack White (the White Stripes, the Raconteurs), Allison Mosshart (the Kills, Discount), Dean Fertita (Queens of the Stone Age) & Jack Lawrence (the Raconteurs, the Greenhornes)

Jack White was struck by bronchitis while on tour with the Raconteurs in summer 2008. White asked Allison Mosshart of the Kills, who were the opening band, to sit in on some of their songs. The chemistry was so stirring that White suggested they try their hand at collaborating along with White's house guest, Dean Fertita of Queens of the Stoneage. The result, 2009's Horehound, shot to #6 on the Billboard hot 100. Their second album Sea of Cowards was released earlier this year. As a side note I had the pleasure of being backstage during the Dead Weather's set at Ottawa Bluesfest 2009, although I was only there to chase down Dan and Alexei of Handsome Furs for an interview.





Bastard (the drop outs)
Courtney Love, Patty Schemel (Hole), Louise Post (Veruca Salt) & Gina Crosley (Rockit Girl, Veruca Salt)

Post-Celebrity Skin, Courtney Love attempted to bring her dream of an all girl rock band to reality by merging members of Hole and Veruca Salt. Unfortunately Love's usual combative ways spelled disaster and demise for Bastard. Conflict between Gina Crosley and Love is cited as the main reason for the dissolution. After a few attempts at recording material the band imploded. Nashville Pussy bassist Corey Parks was also briefly involved. No video, recording or image of the band has ever been released. As Love sings in Celebrity Skin, "My name is might-have-been, my name is never was."

BT photo
BT photo
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Love & Micko Larkin performing as Hole July 9 2010, Love's 46th birthday, at Ottawa Bluesfest.