CAI.RO

Photo courtesy of the artist

 Cai.ro means to conquer. With their debut release this Toronto-based quintet strive to vanquish preconceived notions of popular music. However Cai.ro's choral crusade on the Young Love EP isn't heavy handed like the Ottoman Empire's invasion of Egypt. Instead Nate Daniels, Dante Berardi Jr., Matt Sullivan, Caitlin Grieve and Wooyoung Kim wage an audio assault with an arsenal of folk-pop and orchestral opulence.  Frequently described as an orchestral folk ensemble, Cai.ro straddle enemy lines with diverse songs exploring themes of love, addiction and self-discovery.

All These Colours

 All Ears recently spoke with lead singer and guitarist Daniels and guitarist Berardi Jr. to gain insight into Cai.ro's plan of attack.

 Before joining Cai.ro's ranks Daniels and Berardri Jr. were each part of separate musical armies.

 Daniels floated around several bands offering his vocal talents. The material created with one nameless Montreal band Daniels fronted found its way to Cai.ro's play list, however Daniels left that outfit opting instead to have more control over his musical output.

"I realized later that it's not about control but about sharing a common vision with people who support me and would extrapolate on that vision," Daniels said.

 Across the trenches, Berardi Jr. comes from a prolific industry family. His father was a musical marvel, mastering many instruments. Berardi Sr. was the composer, arranger and band leader for Rockabilly Hall of Fame inductee Godfather Bobby Curtola. In addition his maternal grandfather worked with acclaimed record producer Donald K. Donald.

"I think having a musical family helped push me in the direction of playing and more importantly loving music," Berardi Jr. explained. "I've definitely gone my own way and found my own sound and process along the way. Music is in my blood so I can't deny my family played a part. There's no way I could stop playing and writing. Even if it ends up not being my career down the road. I'm going to cop out and say it was nature and nurture and a little stubbornness as well."

 That stubbornness landed Beradri Jr. with Sound23, a collaborative project, and then with the alternative-influenced group Goodbye Glory before being drafted into Cai.ro.

 "[We] did some small scale touring and traveled to Europe and played in a festival. [It was a] great learning experience. It definitely laid the ground works for who I am and how I play now," Berardi Jr. said of his time with Goodbye Glory.

 Now that the two are comrades with Cai.ro their mutual battle has just begun. The Young Love EP is sublimely stunning with moments of malleable melodies and instances of alt-rock awesomeness. Daniels describes their effort as "a penetrative scoring to any given circumstance in your life. Dramatic and sometimes anthemic." However even with the obvious talent this EP exudes, the Canadian music industry remains a minefield for any symphonic solider who to dares to tread on its grounds.

 "The quest for notoriety in the music industry has always been a struggle for anyone who attempts it. Thankfully that is not the only reason we play music. In regards to our opinion of the Toronto and Canadian music industry; it has a lot of catching up to do." Daniels said.

 "That's why we're here though. Trying to move forward with the momentum of great bands before us like Arcade Fire. They completely re-shaped the formula and format of what it means to be a Canadian artist; even if their roots were in Texas. A little American injection has done us good."


 Cai.ro will appear in an episode of Canadian indie music chronicle From Far and Wide this May and took to the stage at this year's Canadian Music Week. In addition look for some DIY music videos to accompany songs off Young Love to be posted soon.

 To help increase Cai.ro's rations visit wearecairo.com or check out the band's myspace.

Selfish


Addict


Balcony TV shoot & interview

15 MORE COMMANDING COVER SONGS

 Since my first post on duplicated ditties proved to be so popular, here are 15 additional interpreted archetypes. Most of the replicants on this list are reletively new; from caustic electro-clasher Peaches covering Scots Franz Ferdinand to Karen O and Trent Reznor playing around with heavy metals from The Girl With The Dragon Tattoo remake. Take cover and check out part 1 here. 

Turn It On

Peaches
Originally recorded by Franz Ferdinand

Heartbeat

Detroit Cobras
Buddy Holly

Buddy Holly

Sheezer
Weezer

Who's Gonna Ride Your Wild Horses

Garbage
U2

Territorial Pissings

Surfer Blood
Nirvana

There Is A Light That Never Goes Out

Dum Dum Girls
The Smiths

Pacer

The Muffs
The Amps

If You Leave

Nada Surf
Orchestral Maneuvers in the Dark

Immigrant Song

Trent Reznor & Karen O
Led Zeppelin

Calm Down

Sahara Hotnights
Birdy

Skinny Love

Birdy
Bon Iver

Handle With Care

Jenny Lewis w/ the Watson Twins, Ben Gibbard, M. Ward & Connor Oberst
The Travelling Wilburys

Bloodbuzz Ohio

Oh Land
The National

Velvet

Lykke Li
The Big Pink

Hallelujah

kd lang
Leonard Cohen

5 ANTICIPATED ALBUMS

Future This

The Big Pink
released Jan 16

  English electro-rock duo The Big Pink recently released their sophomore effort Future This, following up the indie success of their 2009 debut A Brief History of Love. While I question the selection of the title track (Future This isn't the most engaging song on this album and sounds like it could easily be a b-side from their last disc) the album as a whole is innovative and intriguing. Filled with lofty lyrics, meddlesome guitar noise and subdued synths, Milo Cordell and Robbie Furze deliver an LP that shows the duo has outgrown the drone kings label and risen to queen bee status in the hive of experimental rock. 



Stay Gold


Hit The Ground (Superman)

Paralytic Stalks

of Montreal
Feb 7

 Aside from being the second biggest band from Athens, Georgia, of Montreal are known for their neo-psychedelic, theatrical music. of Montreal have always been a schizophrenic band and the music on Paralytic Stalks explores reconfigured elements of classical music while the lyrics are flush with self loathing and religious overtones.
"On some level, it's thinking about spiritual crisis, crying out for guidance and not hearing a voice in return, or hearing a nefarious voice," of Montreal founder Kevin Barnes told Spin last month about the marvelously uneven track We Will Commit Wolf Murder (listen below.)


We Will Commit Wolf Murder

Go Fly A Kite

Ben Kweller
Feb 12

  It's been nearly a decade since Kweller's biggest hit, Wasted and Ready, and since then Kweller has branched out to country music, married, had a child and created a popular web music series One Minute Pop Song. An accomplished guitarist from an early age, Kweller has said Go Fly A Kite's release date was delayed not only because of label issues but also because he wanted the album to be "just right." He's also stated the new album is eclectic, energetic and touches on darker topics than he has explored in the past. You can listen to Go Fly A Kite in its entirety courtesy of Rolling Stone here.



Mean To Me

Reign of Terror

Sleigh Bells
Feb 21

 Back with their second full length LP after the blusterous and booming collection that was 2010's Treats, Sleigh Bells' Reign of Terror is like a piece of tarnished silver. It's shiny and stunning but it doesn't need any polish- they are a noise band after all. The band's press release promoting Reign of Terror states the album is "the sonic equivalent of a beautiful shotgun to the head," and that's not far from the truth. The first single Born To Lose and the second release Comeback Kid (below) demonstrate that Derek Miller and Alexis Krauss will continue to deliver dark electric rock music that stings like shrapnel and challenges the present day idea of popular music.


Comeback Kid

Port of Morrow

The Shins
Mar 20

 The first new release from New Mexico's The Shins in five years, Port of Morrow promises to be just what I had hoped for; another solid collection of classic guitar rock. Their last album, Wincing The Night Away, proved to be the largest success The Shins had ever had (and it was the biggest hit for Sub Pop as well) so the five year break was to be expected as expectations are ridiculously high. Now that they've left that label and replaced many of their members, Port of Morrow may have a different taste but judging from the first single (Simple Song, listen below) the ingredients are the same. A dash of indie pop and a pinch of punk makes Port of Morrow a potent rock recipe.


Simple Song

SANTIGOLD'S BIG MOUTH

 Santigold (formerly Santogold) have released the first single off of their anticipated sophomore album Master Of My Make Believe due out this spring. The Philadelphia duo of Santi White and John Hill became known for melding grime, rock and electronic sounds with tracks like Lights Out and Say Aha on their self-titled 2008 debut. This new offering, Big Mouth, is a high energy cut with tribal techno influences. Watch the peculiar partially animated video below. You can download Big Mouth for free by entering your email or cell number on Santigold's official site.

WOODPIGEON'S FOR PAOLO

 Woodpigeon's new EP is more of what we've come to expect from Mark Hamilton and company; masterfully composed rock music that is as pristine and soft as freshly harvested cotton. 

 Following up 2010's Die Stadt Muzikanten and my personal favourite 2008's Treasury Library Canada, this six track collection would be a great introduction to the Calgary ensemble for those who have yet to take flight with Woodpigeon.

The track Are You There God? It's Me Mark is an indelible song. An ambivalent arrangement, it's lush with softly psychotic strings and heavenly harmonizing set against harsh guitar feedback. One To Many is also memorable with it's echoing guitar riff. Hamilton's delicate voice is frequently the star on For Paolo and it's easy to see why Woodpigeon are quickly ascending the ladder of Canadian indie cred. For Paolo has left me wanting more and I'm looking forward to hearing Woodpigeon's next full length release.

For Paolo

Below is my interview with Hamilton from 2010. This article originally appeared on soundproofmagazine.com.

In addition a condensed version was published in 24 Hours Calgary.

 German speakers be damned—Mark Hamilton has purposely misspelled the title of Woodpigeon's new album, because he finds his spelling more visually pleasing. 

 Die Stadt Muzikanten, their third album—after 2006's Songbook and 2008's self-released Treasury Library Canada—dropped earlier this year and lead singer and guitarist Hamilton says he has always had a fondness for the written word. 

 "I get hung up on words a lot," Hamilton explains. "I love the way that words look. Someone once asked me why I would call a band Woodpigeon. To me it's beautiful to write down." 

 The songs found on Treasury Library Canada are also nothing less than beautiful. Hamilton says he chose to self-release the album because he'd grown tired of dealing with record labels. 

 "We were without a label, and I'd had it with labels," he explains. "I wanted to try doing something entirely on my own and we got signed up pretty fast for our first record so we never had the experience of self-releasing something. I think that's really important." 

 Reluctant to call Woodpigeon a band, Hamilton says he views it as more of a collective with over 50 members contributing since inception. Current band members include Michael Gratton, Annalea Sordi, Daren Powell, Peter Moersch, Foon Yap and AJ Benoit. 

 Another band member, Kenna Burima, annually organizes the Midway festival, adjacent to Calgary's High Performance Rodeo. A cross-format event, the festival features live music as well as visual art. Last year Woodpigeon attempted to perform Björk songs exclusively. 

 "We decided we would do Björk's Vespertine, then realized how frickin' hard that album is," Hamilton laughs. "So we just made a selection of Björk songs where she plays more than one chord. That was probably the most challenging thing we've ever done." 

 Getting noticed by high-profile bands, however, wasn't as much of a challenge. Woodpigeon has gone on tour supporting Grizzly Bear, Calexico and Broken Social Scene. 

 "The phone would ring and it was Grizzly Bear or Broken Social Scene. The first couple of times I kind of thought it was a joke, then a few weeks later we were playing a big theatre with them. It's really cool when people you like take notice. Like Calexico for example, they are the favourite band of three members of Woodpigeon." 

 As for the future, Hamilton admits that many Woodpigeon members have begun taking flight in their own right and he couldn't be more pleased for them. 

 "We are kind of in the phase where everybody in the band is taking on different projects. We are all growing up and everybody is spreading their wings a little bit. Woodpigeon is what we all collectively come back to and we also go out to pasture a bit more than we used to and that's really exciting and cool. I'm happy to be in the audience to see my friends that I play music with do their own thing."

MY FAVOURITE ALBUMS OF '11

  2011 was a good year for music; keyword being good. There were a lot of good albums last year but I struggled to choose great albums to include on this list. These eight collections are albums I know I will be listening to for years to come. Additional good albums with questionable staying power have been included as honourable mentions.

Cults

Cults

 New Yorkers Madeline Follin and Brian Oblivion have elaborated on the under the radar popularity of their debut EP with this self-titled full length release. Cults is pretty pop music punctuated with the right amount of punk imperfection on tracks like Abducted (below), creating an album that manages to be modern while throwing back to the sweet sounds of the '60s. Other tracks like Go Outside, You Know What I Mean and Walk At Night are strictly pop and just might usher the use of keyboards and xylophones back into indie fashion.

Abducted

What Did You Expect From The Vaccines?

The Vaccines 

 I didn't know what to expect from The Vaccines and it was very surprising to learn that this is the English band's debut. It may be their first album but this Justin Young-fronted quartet already sound like well rounded veterans. The Vaccines have drawn comparisons to The Jesus and Mary Chain and The Ramones but I'd say they are more accurately described as a more industrious incarnation of Interpol. The Vaccines themselves say they are inspired by "'50s rock 'n' roll, '60s garage, girl groups, '70s punk, '80s American hardcore, C86 [a compilation released by UK music mag NME] and good pop music." Just like most good pop music, the majority of their debut effort is incredibly catchy. From the short and striking If You Wanna to the melodic Blow It Up, The Vaccines haven't exactly reinvented rock but they've interpreted it with such clarity that it will inevitably catch on.

Post Break Up Sex

The Hot Sauce Committee Part 2

Beastie Boys 

 It's bewildering to me that The Hot Sauce Committee Part 2 isn't on more critics' best of 2011 lists. Less serious than To The 5 Boroughs and more entertaining than Hello Nasty, this album is some of the most fun the trio has had in decades. Whether they're challenging Santigold (Don't Play No Game That I Can't Win), telling off their wives (OK), encouraging fellow artists (Say It) or rapping along side Nas (Too Many Rappers) The Hot Sauce Committee Part 2 is a sample heavy, smile inducing LP.

Make Some Noise

Wild Flag

Wild Flag

 I did not enjoy Wild Flag at first listen. Maybe it's because as two Wild Flag members are Sleater-Kinney vets I was expecting something else or because Carrie Brownstein's voice is a very acquired taste. Subsequent listens later, I can't deny that Wild Flag's hooks are rock perfection and Brownstein and Mary Timony's guitar work is some of the best fingering my ears have had all year. Making Wild Flag easily the best guitar record of 2011.
 Wild Flag isn't dissimilar from the Sleater-Kinney sound but the absence of Corin Tucker is immediately obvious. What's missing is the softer pop edge Tucker provided. In its place Brownstein, Sleater-Kinney drummer Janet Weiss, former Helium member Timony and The Minders' Rebbecca Cole deliver neoteric, psychedelic, keyboard infused rock. Standout tracks include Future Crimes, Boom, Glass Tambourine, and Something Came Over Me, which has Timony taking to the mic. Look for a not so subtle dig at Arcade Fire in the video for Romance (below.)


Romance

David Comes To Life

Fucked Up

 I never thought I'd adore a hardcore punk record described as a "a rock opera love story between a boy named David and a girl named Veronica." Then I listened to David Comes to Life by Toronto's Fucked Up and found myself engrossed in their nihilistic narrative. If you can appreciate Damian Abraham's scream-o vocals you too will learn to love Fucked Up's symphonic and sometimes sick story. As a bit of serendipity the track Queen of Hearts (below) features guest vocals by another entry on my best of 2011 list, Cults' Madeline Follin.



Queen of Hearts (listen to the album version here.)




The Other Shoe

Sound Kapital

Handsome Furs

 Sound Kapital is another record I thought didn't get the attention it deserved last year. Montreal's Dan Boeckner and Alexei Perry continue to be inspired by Eastern Europe on their third album but have traded largely guitar based sounds for '80s keyboard kitsch. This amalgamation of the rocky and the retro has become the duo's signature sound. Tracks like Repatriated, What About Us, Damage and Bury Me Standing demonstrate that Handsome Furs are one of the most underrated and inventive Canadian acts creating music today.

No Feelings

El Camino

The Black Keys

 Much like Arcade Fire last year, The Black Keys have been rightfully dubbed the "it" band of 2011. Dan Auerbach and Patrick Carney have cited iconic '70s rockers like T. Rex and The Cramps as influences for the music of El Camino. These references are spot on as El Camino is full of glam heavy, glitzy riffs, making for an album that is much catchier and livelier than their last record, the amazing Grammy-winning, Brothers. I challenge any listener not to have hooks from songs like Lonely Boy or Run Right Back imprinted on their brain after an earful of this album.


Dead & Gone

Let England Shake

PJ Harvey

 Since I blogged extensively about Ms. Harvey late last year, I'll direct you my post titled 20 Years of PJ Harvey. As I embedded my four favourite tracks off Let England Shake in that post, here's my fifth fav song from PJ's arresting, Mercury Prize-winning album. 

In Dark Places


Honourable mentions:

Mirror Traffic, Stephen Malkmus & The Jicks

Suck It & See, Arctic Monkeys

Endless Now, Male Bonding

Gloss Drop, Battles

Nine Types of Light, TV On The Radio

More Monsters & Sprites, Skrillex

Undun, The Roots

Kaputt, Destroyer

Bon Iver, Bon Iver

Creep On Creepin' On, Timber Timbre

OSCAR HOSTS

 Unless you've been cavorting with yetis in Mongolia, you have probably heard the underwhelming news. Billy Crystal will host the Oscars for the ninth time on Feb 26.

 The big yawn reveal came in the form of a Funny or Die trailer (watch below) co-starring Robin Williams, Megan Fox and Josh Duhamel. The sweeping and overblown mini-movie is indeed engaging and some pundits see the production value as an attempt to reel in younger viewers. However this observation raises a problem. Could there be anyone less hip than Crystal? (more after the trailer.)



 Just look at how hip he is, he mentioned texting! Many regard Crystal as a comic genius but I'd wager the majority of those people are of baby boomer age. Crystal's appointment (as mentioned this will be his ninth after hosting from '89 to '92, then again in '96, '97, '99 and '03) is undoubtedly due to last year's generally panned hosting performances by Anne Hathaway and James Franco. Although Franco looked like he blazed with Aaron Sorkin just before the show, I thought Hathaway did an adequate job (with the exception of  quipping "This is the young, hip Oscars" after 94 year-old Kirk Douglas' slurred speech.)

 If the Academy was looking to appeal to the youth demographic, I think they missed the mark by tapping Crystal. There are several other veterans who, aside from being funnier, have performed exceptionally as the master of ceremonies in the past. I would have preferred another year of Whoopi or giving Ellen a second turn. Let's take a look at former Oscar hosts who have passed away or were passed over this year.

Whoopi Goldberg ('93, '95, '98, '01)

Watch Whoopi's memorable opening monologue at the 71st Academy Awards here. 

Bob Hope (11 solo in '40, '41, '43, '60-'62, '65-'68, '78 and 7 with co-hosts in '45, '46, '53, '55, '58, '59, '75)

Watch Jack Lemmon and Arthur Freed surprise Hope with an Oscar gold medal at the 1966 awards here.

Johnny Carson ('78-'81, '83)

Watch the arrivals and Carson's opening monologue at the 1980 Awards here. 

Steve Martin ('00, '02, '09 with Alec Baldwin)

Watch Martin and Baldwin's opening monologue at the 2009 Awards here.

Ellen DeGeneres ('06)

Watch part of DeGeneres' opening monologue here. 

Jon Stewart ('05, '07)

Stewart watches Lawrence of Arabia on his iPhone