Friday, February 24, 2012

15 MORE COMMANDING COVER SONGS

 Since my first post on duplicated ditties proved to be so popular, here are 15 additional interpreted archetypes. Most of the replicants on this list are reletively new; from caustic electro-clasher Peaches covering Scots Franz Ferdinand to Karen O and Trent Reznor playing around with heavy metals from The Girl With The Dragon Tattoo remake. Take cover and check out part 1 here


Turn It On
Peaches
Originally recorded by Franz Ferdinand



Heartbeat
Detroit Cobras
Buddy Holly



Buddy Holly
Sheezer
Weezer



Who's Gonna Ride Your Wild Horses
Garbage
U2



Territorial Pissings
Surfer Blood
Nirvana




There Is A Light That Never Goes Out
Dum Dum Girls
The Smiths



Pacer
The Muffs
The Amps



If You Leave
Nada Surf
Orchestral Maneuvers in the Dark




Immigrant Song
Trent Reznor & Karen O
Led Zeppelin



Calm Down
Sahara Hotnights
Birdy



Skinny Love
Birdy
Bon Iver



Handle With Care
Jenny Lewis w/ the Watson Twins, Ben Gibbard, M. Ward & Connor Oberst
The Travelling Wilburys



Bloodbuzz Ohio
Oh Land
The National



Velvet
Lykke Li
The Big Pink



Hallelujah
kd lang
Leonard Cohen

Thursday, February 2, 2012

5 ANTICIPATED ALBUMS

Future This
The Big Pink
released Jan 16

  English electro-rock duo The Big Pink recently released their sophomore effort Future This, following up the indie success of their 2009 debut A Brief History of Love. While I question the selection of the title track (Future This isn't the most engaging song on this album and sounds like it could easily be a b-side from their last disc) the album as a whole is innovative and intriguing. Filled with lofty lyrics, meddlesome guitar noise and subdued synths, Milo Cordell and Robbie Furze deliver an LP that shows the duo has outgrown the drone kings label and risen to queen bee status in the hive of experimental rock. 



Stay Gold


Hit The Ground (Superman)


Paralytic Stalks
of Montreal
Feb 7

 Aside from being the second biggest band from Athens, Georgia, of Montreal are known for their neo-psychedelic, theatrical music. of Montreal have always been a schizophrenic band and the music on Paralytic Stalks explores reconfigured elements of classical music while the lyrics are flush with self loathing and religious overtones.
"On some level, it's thinking about spiritual crisis, crying out for guidance and not hearing a voice in return, or hearing a nefarious voice," of Montreal founder Kevin Barnes told Spin last month about the marvelously uneven track We Will Commit Wolf Murder (listen below.)


We Will Commit Wolf Murder


Go Fly A Kite
Ben Kweller
Feb 12

  It's been nearly a decade since Kweller's biggest hit, Wasted and Ready, and since then Kweller has branched out to country music, married, had a child and created a popular web music series One Minute Pop Song. An accomplished guitarist from an early age, Kweller has said Go Fly A Kite's release date was delayed not only because of label issues but also because he wanted the album to be "just right." He's also stated the new album is eclectic, energetic and touches on darker topics than he has explored in the past. You can listen to Go Fly A Kite in its entirety courtesy of Rolling Stone here.



Mean To Me


Reign of Terror
Sleigh Bells
Feb 21

 Back with their second full length LP after the blusterous and booming collection that was 2010's Treats, Sleigh Bells' Reign of Terror is like a piece of tarnished silver. It's shiny and stunning but it doesn't need any polish- they are a noise band after all. The band's press release promoting Reign of Terror states the album is "the sonic equivalent of a beautiful shotgun to the head," and that's not far from the truth. The first single Born To Lose and the second release Comeback Kid (below) demonstrate that Derek Miller and Alexis Krauss will continue to deliver dark electric rock music that stings like shrapnel and challenges the present day idea of popular music.


Comeback Kid


Port of Morrow
The Shins
Mar 20

 The first new release from New Mexico's The Shins in five years, Port of Morrow promises to be just what I had hoped for; another solid collection of classic guitar rock. Their last album, Wincing The Night Away, proved to be the largest success The Shins had ever had (and it was the biggest hit for Sub Pop as well) so the five year break was to be expected as expectations are ridiculously high. Now that they've left that label and replaced many of their members, Port of Morrow may have a different taste but judging from the first single (Simple Song, listen below) the ingredients are the same. A dash of indie pop and a pinch of punk makes Port of Morrow a potent rock recipe.


Simple Song